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Samuel Beckett's Krapp's Last Tape
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Samuel Beckett's Krapp's Last Tape

Book Details

Format Paperback / Softback
Book Series The Fourth Wall
ISBN-10 1138961264
ISBN-13 9781138961265
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 15th, 2016
Print length 74 Pages
Weight 80 grams
Dimensions 12.10 x 17.30 x 0.50 cms
Ksh 2,500.00
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"We lay there without moving. But under us all moved, and moved us." - Krapp

Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind.

Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors.

Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.

"We lay there without moving. But under us all moved, and moved us." - Krapp

Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind.

Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors.

Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.


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