Savage Tongues : A Novel

A luxuriant fevered quest for reclamation...Political, poetical, and spooky good. Joy Williams

"A love story of the most fevered, brutal order...Propulsive, erotic, and darkly dreamlike." Vulture

A new novel by PEN/Faulkner Award winner Azareen Van der Vliet Oloomi, "written with the intensity of early Marguerite Duras and Ferrante'sDays of Abandonment,"about a young womans search for healing in the fall-out of an affair with a much older man, a personal and political exploration of desire, power, domination, and human connection (The Millions).

Its summer when Arezu, an Iranian American teenager, goes to Spain to meet her estranged father at an apartment he owns there. He never shows up, instead sending her a weekly allowance, care of his step-nephew, Omar, a forty-year-old Lebanese man. As the weeks progress, Arezu is drawn into a mercurial, charged, and ultimately catastrophic affair with Omar, a relationship that shatters her just at the cusp of adulthood.

Two decades later, Arezu inherits the apartment. She returns with her best friend, Ellie,an Israeli-American scholar devoted to the Palestinian cause, to excavate the place and finally put to words a trauma shes long held in silence. Together, she and Ellie catalog the questions of agency, sexuality, displacement, and erasure that surface as Arezu confronts the ghosts of that summer, crafting between them a story that spans continents and centuries.

Equal parts Marguerite Duras and Shirley Jackson, Rachel Cusk and Clarice Lispector,Savage Tonguesis a compulsive, unsettling, and bravely observed exploration of violence and eroticism, haunting and healing, the profound intimacy born of the deepest pain, and the life-long search for healing.

“A luxuriant fevered quest for reclamation...Political, poetical, and spooky good.” —Joy Williams

"A love story of the most fevered, brutal order...Propulsive, erotic, and darkly dreamlike." —Vulture

A new novel by PEN/Faulkner Award winner Azareen Van der Vliet Oloomi, "written with the intensity of early Marguerite Duras and Ferrante''s Days of Abandonment," about a young woman’s search for healing in the fall-out of an affair with a much older man, a personal and political exploration of desire, power, domination, and human connection (The Millions).

It’s summer when Arezu, an Iranian American teenager, goes to Spain to meet her estranged father at an apartment he owns there. He never shows up, instead sending her a weekly allowance, care of his step-nephew, Omar, a forty-year-old Lebanese man. As the weeks progress, Arezu is drawn into a mercurial, charged, and ultimately catastrophic affair with Omar, a relationship that shatters her just at the cusp of adulthood.

Two decades later, Arezu inherits the apartment. She returns with her best friend, Ellie, an Israeli-American scholar devoted to the Palestinian cause, to excavate the place and finally put to words a trauma she’s long held in silence. Together, she and Ellie catalog the questions of agency, sexuality, displacement, and erasure that surface as Arezu confronts the ghosts of that summer, crafting between them a story that spans continents and centuries.

Equal parts Marguerite Duras and Shirley Jackson, Rachel Cusk and Clarice Lispector, Savage Tongues is a compulsive, unsettling, and bravely observed exploration of violence and eroticism, haunting and healing, the profound intimacy born of the deepest pain, and the life-long search for healing.