Screening Controversial Cinema
Book Details
Format
Hardback or Cased Book
Book Series
Screening Cinema
ISBN-10
1032530227
ISBN-13
9781032530222
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 31st, 2026
Print length
666 Pages
Product Classification:
Film theory & criticismFilm: styles & genresFilm history, theory or criticismFilm: styles and genresCommunication studiesPopular cultureMedia studies: TV and societyPopular cultureTV & societyMedia, entertainment, information and communication industriesMedia, information & communication industries
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This collection offers a wide-ranging exploration of controversial cinema across film history, examining how and why certain films become flashpoints for public debate, regulation, and cultural conflict. Designed as a companion to film screenings, the chapters provide a unique resource for a variety of film studies courses.
This collection offers a wide-ranging exploration of controversial cinema across film history, examining how and why certain films become flashpoints for public debate, regulation, and cultural conflict. Bringing together over fifty case studies from different periods, national contexts, and genres, the book moves beyond a simple catalogue of scandalous texts to show how controversy emerges through the interaction of films, audiences, institutions, and media discourse. From early censorship battles to contemporary debates around representation, identity, and harm, the volume demonstrates that controversy is not fixed but shaped by shifting social values, political agendas, and technological change. While familiar concerns—sex, violence, religion, and morality—remain central, the collection expands the field to include questions of ideology, race, gender, disability, and ethics. Designed as a companion to film screenings, each chapter situates its case study within its broader historical and cultural context, encouraging readers to engage critically with challenging material and arguing that controversial cinema provides a powerful lens through which to understand the relationship between film and society. Together the chapters provide a unique resource for a variety of film studies courses.
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