Sea of Islands : Exploring Objects, Stories and Memories from Oceania
Book Details
Format
Hardback or Cased Book
ISBN-10
1773271555
ISBN-13
9781773271552
Publisher
Figure 1 Publishing
Imprint
Figure 1 Publishing
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 17th, 2025
Print length
240 Pages
Weight
1,520 grams
Dimensions
28.70 x 23.70 x 3.10 cms
Ksh 7,100.00
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Sea of Islands brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections—as well as members of diasporic Oceanic communities—to share the stories and journeys of the objects that comprise Canada’s largest Oceanic collection, housed at The Museum of Anthropology at UBC. The Museum of Anthropology at the University of British Columbia holds some 3,500 objects from Oceania, making it the largest and most diverse collection from this region in Canada. From regalia and jewellery to barkcloths and woven mats to carvings and canoes, all these items have travelled, sometimes circuitously, from their homelands—including Aotearoa, Australia, the Torres Strait Islands, Fiji, Papua New Guinea, the Solomon Islands, Rapa Nui, the Marquesas Islands, and Vanuatu—to the west coast of Canada. Sea of Islands traces the journeys and stories of these holdings, as shared by knowledge holders, scholars, and artists from across the Pacific. Presented alongside more than 250 photographs of individual objects contextualized by historic and contemporary images from Oceanic communities, Carol E. Mayer’s text draws on her decades of research and outreach centred around the complex intersections between museum collections, contemporary art practices, and different knowledge systems. The result is a lively and accessible exploration of how these objects—old and new—continue to articulate systems of meaning and engender new relationships.
Sea of Islands brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections—as well as members of diasporic Oceanic communities—to share the stories and journeys of the objects that comprise Canada’s largest Oceanic collection, housed at The Museum of Anthropology at UBC.
The Museum of Anthropology at the University of British Columbia holds some 3,500 objects from Oceania, making it the largest and most diverse collection from this region in Canada. From regalia and jewellery to barkcloths and woven mats to carvings and canoes, all these items have travelled, sometimes circuitously, from their homelands—including Aotearoa, Australia, the Torres Strait Islands, Fiji, Papua New Guinea, the Solomon Islands, Rapa Nui, the Marquesas Islands, and Vanuatu—to the west coast of Canada. Sea of Islands traces the journeys and stories of these holdings, as shared by knowledge holders, scholars, and artists from across the Pacific.
Presented alongside more than 250 photographs of individual objects contextualized by historic and contemporary images from Oceanic communities, Carol E. Mayer’s text draws on her decades of research and outreach centred around the complex intersections between museum collections, contemporary art practices, and different knowledge systems. The result is a lively and accessible exploration of how these objects—old and new—continue to articulate systems of meaning and engender new relationships.
The Museum of Anthropology at the University of British Columbia holds some 3,500 objects from Oceania, making it the largest and most diverse collection from this region in Canada. From regalia and jewellery to barkcloths and woven mats to carvings and canoes, all these items have travelled, sometimes circuitously, from their homelands—including Aotearoa, Australia, the Torres Strait Islands, Fiji, Papua New Guinea, the Solomon Islands, Rapa Nui, the Marquesas Islands, and Vanuatu—to the west coast of Canada. Sea of Islands traces the journeys and stories of these holdings, as shared by knowledge holders, scholars, and artists from across the Pacific.
Presented alongside more than 250 photographs of individual objects contextualized by historic and contemporary images from Oceanic communities, Carol E. Mayer’s text draws on her decades of research and outreach centred around the complex intersections between museum collections, contemporary art practices, and different knowledge systems. The result is a lively and accessible exploration of how these objects—old and new—continue to articulate systems of meaning and engender new relationships.
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