Seeing Indian Women : Comics, Graphic Novels and Transmedia Illustrations
Book Details
Format
Paperback / Softback
Book Series
South Asian Literature in Focus
ISBN-10
104108269X
ISBN-13
9781041082699
Publisher
Taylor & Francis Ltd
Imprint
Routledge India
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 12th, 2026
Print length
224 Pages
Weight
440 grams
Product Classification:
AsiaLiterary studies: generalRegional studiesRegional / International studiesCultural studiesMedia studiesGender studies: women and girlsSocial groups: religious groups and communitiesCultural studiesMedia studiesGender studies: womenReligious groups: social & cultural aspects
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Although, for years, women were portrayed as one-dimensional beings, Indian graphic novels have come a long way from solely idealizing the Hindu/Vedic past to contemporary digital comics with augmented reality, where individual stories of women are shared and politicized.
Although, for years, women were portrayed as one-dimensional beings, Indian graphic novels have come a long way from solely idealizing the Hindu/Vedic past to contemporary digital comics with augmented reality, where individual stories of women are shared and politicized. Drawing on a decade of women’s mis/representation across comics, graphic novels, and digital comics, the book would masterfully examine how iconography materializes the intersections between gender and culture in a multiplicity of context including spatial, artistic, historical, and commercial. Within the domain of popular culture, the genre of comics and graphic novels has become a booming publishing industry that has increasingly become more pronounced and arguably a promising avenue for exploring myriad concerns. Centering the correlation between the aesthetics of gender representation and consumer-material practices that has shaped this literature’s new, enduring, and potent form, this book demonstrates how this new aesthetics entail a simultaneous cultural and political retooling of the visual in the context of gender politics. It draws on a wide range of comics scholarship—including graphic fiction, non-fiction, digital and web comics—to illustrate how femininity and masculinity are produced, represented, and received. Thus, this book investigates the graphic parables produced by women creators which has set-in motion a range of debates concerning the ongoing exchange between gender and the politics of representation, production, and consumption. This book will be of great interest to scholars and researchers of literature and language studies, gender studies, comics studies, visual arts, and South Asia Studies.
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