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Self into Song : Newcastle/Bloodaxe Poetry Lectures

Book Details

Format Paperback / softback
ISBN-10 1852247606
ISBN-13 9781852247607
Publisher Bloodaxe Books Ltd
Imprint Bloodaxe Books Ltd
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 29th, 2007
Print length 64 Pages
Weight 126 grams
Dimensions 14.00 x 21.50 x 0.90 cms
KSh 1,450.00
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Carol Rumens's Newcastle/Bloodaxe Poetry Lectures cover the poetry of Philip Larkin and Derek Mahon as well as form and music in the work of a range of contemporary women poets.
In this innovative series of public lectures at the University of Newcastle upon Tyne, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Carol Rumens' three lectures cover the poetry of Philip Larkin and Derek Mahon as well as form and music in the work of a range of contemporary women poets. Forget What Did? Philip Larkin's "Poems of Lost Childhood": What made this strange, sometimes unattractive personality a powerful poet? Putting aside the politics, this lecture draws on autobiographical material as well as early poems to suggest a possible imaginative source in childhood trauma. It also traces the younger Larkin's interest in Jung, Lawrence, Auden and others, and examines the famous 'two voices' of his maturity, the demotic and the literary. "Solitude and Sociability: An Introduction to the Poetry of Derek Mahon": Bleak North Antrim coastlines and a sense of isolation contrast with the warm intellectual companionship of other writers and artists often conjured in Derek Mahon's work. This lecture takes an overview of his themes and forms, including a look at the conversation he conducts, via his many dedicatory and epistolary poems, across the time-zones. "Line, Women and Song": Have women poets brought distinctive approaches to the music and metre of contemporary poetry? Adrienne Rich, Marilyn Hacker and Ruth Padel provide some of the material examined. Can there be a politically radical verse in traditional form? Can the English language and ancient, imported forms and metres still fruitfully work together? This is the fifth book in the "Newcastle/Bloodaxe Poetry Series".

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