Sergei Prokofiev's Alexander Nevsky
by
Kevin Bartig
Book Details
Format
Hardback or Cased Book
Book Series
Oxford Keynotes
ISBN-10
0190269561
ISBN-13
9780190269562
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Nov 9th, 2017
Print length
176 Pages
Weight
312 grams
Dimensions
14.50 x 21.10 x 1.50 cms
Ksh 17,200.00
Manufactured on Demand
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Audiences have long enjoyed Sergei Prokofiev''s musical score for Alexander Nevsky, a historical film that cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. The cantata that Prokofiev derived from the score has proven even more popular and remains one of his most-performed works. This critical companion explores this music and the ways in which it has engaged listeners, performers, and artists throughout the twentieth and twenty-first centuries, tracing its path from state propaganda to repertory classic.
Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and Eisensteins work proved an enormous success, both as a collaboration of two of the twentieth centurys most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofievs music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofievs Alexander Nevsky from its inception through the present day. He considers the musics genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.
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