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Shadows of Time
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Shadows of Time : Giambologna, Michelangelo and the Medici Chapel

Book Details

Format Paperback / Softback
ISBN-10 3777431788
ISBN-13 9783777431789
Publisher Hirmer Verlag
Imprint Hirmer Verlag
Country of Manufacture DE
Country of Publication GB
Publication Date Feb 28th, 2019
Print length 264 Pages
Weight 1,272 grams
Dimensions 21.40 x 25.80 x 2.50 cms
Ksh 6,850.00
Werezi Extended Catalogue 0 in stock

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Giambologna (1529 – 1606) is regarded as the most important European sculptor between Michelangelo and Bernini. How did he achieve this status? This volume investigates this question and examines above all Giambologna’s study of Michelangelo, his all-powerful role model, and how he successfully prevailed. The young Flemish artist Giambologna most probably embarked on his study trip to Rome in 1550. On his way home he visited Florence, decided to stay and became the star at the Medici court. They sent his sculptures to the princely courts of Europe, where they became sought-after gifts. Although we know a great deal about his success, we know little of his early years in Italy, because he first appeared on the scene as a sculptor from about 1560. The alabaster figures after Michelangelo’s “Times of Day” in Dresden, hitherto largely ignored, seem to be early works by the master sculptor. An examination of these sculptures promises to shed fresh light on the development of a genius.

Giambologna (1529–1606) is widely regarded as the most important European sculptor between Michelangelo and Bernini. Although we know a great deal about his success, we know little of Giambologna’s formative years in Italy, before he rose to prominence. How did he come to achieve his status as the preeminent sculptor of his time? 
            This volume investigates this question and retraces Giambologna’s winding path to success. We follow the young sculptor as he embarks on a study trip to Rome in the middle of the sixteenth century, and on his return home when he visits Florence and decides to stay. We observe how he becomes the star at the Medici court and sees his sculptures sent on to the princely courts of Europe, where they would become sought-after gifts. This beautifully illustrated volume ventures into new academic territory—probing the artist’s largely unknown early work and his study of Michelangelo—to shed fresh light on the development of a genius. 

 

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