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Signatures of the Past : Cultural Memory in Contemporary Anglophone North American Drama - New

By: (Edited by) Caroline De Wagter , (Edited by) Marc Maufort , (Series editor) Marc Maufort

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Ksh 9,000.00

Format: Paperback / Softback

ISBN-10: 905201454X

ISBN-13: 9789052014548

Edition: New

Series: Dramaturgies

Publisher: Presses Interuniversitaires Europeennes

Imprint: Presses Interuniversitaires Europeennes

Country of Manufacture: BE

Country of Publication: GB

Publication Date: Oct 7th, 2008

Print length: 314 Pages

Weight: 436 grams

Dimensions (height x width x thickness): 15.30 x 22.00 x 2.00 cms

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The purpose of this series is to re-assess the relationship between textual studies, cultural and/or performance aspects at the dawn of a new multicultural millennium. L’objectif de cette série est de ré-examiner la relation entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel.

In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida’s non-essentialist interpretation of the term «signature», this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories. In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few. In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.

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