Silent Visions
Book Details
Format
Paperback / Softback
ISBN-10
1595800573
ISBN-13
9781595800572
Publisher
Santa Monica Press
Imprint
Santa Monica Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 16th, 2011
Print length
302 Pages
Weight
1,001 grams
Product Classification:
Film theory & criticismIndividual film directors, film-makers
Ksh 4,200.00
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0 in stock
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Highlighting visions of a bygone age preserved in the background of Harold Lloyd's films, this history explores the landscapes of popular film locations through archival photographs, vintage maps and scores of then-and-now photographs. From Coney Island to Beverley Hills, LLoyd's timeless movies reflect the early 20th century visions on the silver screen, found in classics such as Safety Last, Girl Shy, The Freshman and Speedy. Tracing Lloyd's career from his early work to being a studio owner.
Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen.
A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films.
The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls a new art form.”
A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films.
The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls a new art form.”
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