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Siren Songs
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Siren Songs : Representations of Gender and Sexuality in Opera

Book Details

Format Paperback / Softback
ISBN-10 069105813X
ISBN-13 9780691058139
Publisher Princeton University Press
Imprint Princeton University Press
Country of Manufacture US
Country of Publication GB
Publication Date Nov 5th, 2000
Print length 288 Pages
Weight 448 grams
Dimensions 23.30 x 15.60 x 1.90 cms
Product Classification: OperaGender studies, gender groups
Ksh 7,200.00
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It has long been argued that opera is all about sex. This work explores the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. It combines readings of specific scenes with efforts to situate these musical moments within the observed historical contexts.

It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome''s striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera.


The collection opens with Mary Ann Smart''s introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clément, a pioneer of feminist opera criticism. Other articles examine the evolution of the "trouser role" as it evolved in the lesbian subculture of fin-de-siècle Paris, the phenomenon of opera seria''s "absent mother" as a manifestation of attitudes to the family under absolutism, the invention of a "hystericized voice" in Verdi''s Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart''s operas.


The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.


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