Small Wild Goose Pagoda

Allan Sealy reflects on his life and transitions from Householder to Forest Dweller in a small brick house in India. He builds a pagoda on his roof, introducing a cast of characters. The narrative explores themes of work, family, nature, society, and time in a small town setting.

The Small Wild Goose Pagoda is a natural and social history of 433 square yards of India. On this piece ofand in the foothills of the Himalaya, the Sealy family have a small brick house with one-and-a-half bedrooms, two-and-a-half gardens, front, back and side, an old Fiat, an internetink with the world, and a terrace roof for walking on under the sky. Here”surrounded by trees:itchi, rosewood, magnolia, silk cotton, jacaranda, a reluctant pear, a profusely flowering peach”Allan Sealyooks back on hisife as he turns sixty and goes from Householder to Forest Dweller (the two middle stages in theife of a man - as set out in Indian philosophical tradition).ending depth and texture to a narrative written in the form of an almanack is his experience of building, after a visit to China, a pagoda on his roof. As the pagoda takes shape we are introduced to a host of extraordinary characters who drift in and out of the 433 square yards: Dhani, family retainer and mali, bent in half by age; Habilis, master brick-layer and contractor with a roving eye; Beauty, part of Habilis''s crew, who may or may not be hisover; Victor, stoic assistant to Habilis. In this remarkable book, his first in a decade, award-winning novelist and travel writer, Irwin Allan Sealy, gives us an evocative account of the drama of small townife; at the same time it is an extraordinary meditation on work, family history, nature, Indian society, and the passage of time.