Book Details
Format
Paperback / Softback
Book Series
Contemporary Studies in Descriptive Linguistics
ISBN-10
3039113984
ISBN-13
9783039113989
Edition
New
Publisher
Verlag Peter Lang
Imprint
Verlag Peter Lang
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Jul 3rd, 2008
Print length
224 Pages
Weight
330 grams
Dimensions
15.20 x 22.40 x 1.40 cms
Product Classification:
SociolinguisticsSpeaking / pronunciation skillsSociology: customs & traditionsPsychology
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Social constructionists argue that our inner selves and our actions in the world are socially produced. Meta-realists, on the other hand, say that human consciousness is stratified, and not socially shaped at all levels. How do the human acts of creativity and resistance illuminate these different perspectives on human consciousness? This book explores theories of self and agency through a critical discourse analysis of the accounts of five British artists talking about their motivations, their creative processes and their experiences of the practices and institutions of visual art. Throughout the analysis the author considers how we voice dimensions of being that are ‘beyond’ language, and how these words impact on our sense of self and actions. The concept of self realisation is at the centre of this book and is critically examined. The analysis also explores the construction of social identities through family relations and institutional art practices and the media. It shows how they can provide solidarity for those who risk breaking social norms, but at the same time build barriers of difference.
Social constructionists argue that our inner selves and our actions in the world are socially produced. Meta-realists, on the other hand, say that human consciousness is stratified, and not socially shaped at all levels. How do the human acts of creativity and resistance illuminate these different perspectives on human consciousness? This book explores theories of self and agency through a critical discourse analysis of the accounts of five British artists talking about their motivations, their creative processes and their experiences of the practices and institutions of visual art. Throughout the analysis the author considers how we voice dimensions of being that are ‘beyond’ language, and how these words impact on our sense of self and actions. The concept of self realisation is at the centre of this book and is critically examined. The analysis also explores the construction of social identities through family relations and institutional art practices and the media. It shows how they can provide solidarity for those who risk breaking social norms, but at the same time build barriers of difference.
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