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Sourcing the Self
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Sourcing the Self : Debating the Relations between Language and Consciousness

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Book Details

Format Paperback / Softback
ISBN-10 3039113984
ISBN-13 9783039113989
Edition New
Publisher Verlag Peter Lang
Imprint Verlag Peter Lang
Country of Manufacture CH
Country of Publication GB
Publication Date Jul 3rd, 2008
Print length 224 Pages
Weight 330 grams
Dimensions 15.20 x 22.40 x 1.40 cms
Ksh 9,250.00
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Social constructionists argue that our inner selves and our actions in the world are socially produced. Meta-realists, on the other hand, say that human consciousness is stratified, and not socially shaped at all levels. How do the human acts of creativity and resistance illuminate these different perspectives on human consciousness? This book explores theories of self and agency through a critical discourse analysis of the accounts of five British artists talking about their motivations, their creative processes and their experiences of the practices and institutions of visual art. Throughout the analysis the author considers how we voice dimensions of being that are ‘beyond’ language, and how these words impact on our sense of self and actions. The concept of self realisation is at the centre of this book and is critically examined. The analysis also explores the construction of social identities through family relations and institutional art practices and the media. It shows how they can provide solidarity for those who risk breaking social norms, but at the same time build barriers of difference.
Social constructionists argue that our inner selves and our actions in the world are socially produced. Meta-realists, on the other hand, say that human consciousness is stratified, and not socially shaped at all levels. How do the human acts of creativity and resistance illuminate these different perspectives on human consciousness? This book explores theories of self and agency through a critical discourse analysis of the accounts of five British artists talking about their motivations, their creative processes and their experiences of the practices and institutions of visual art. Throughout the analysis the author considers how we voice dimensions of being that are ‘beyond’ language, and how these words impact on our sense of self and actions. The concept of self realisation is at the centre of this book and is critically examined. The analysis also explores the construction of social identities through family relations and institutional art practices and the media. It shows how they can provide solidarity for those who risk breaking social norms, but at the same time build barriers of difference.

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