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Soviet Critical Design
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Soviet Critical Design : Senezh Studio and the Communist Surround

Book Details

Format Hardback or Cased Book
ISBN-10 1350021997
ISBN-13 9781350021990
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Visual Arts
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 13th, 2018
Print length 248 Pages
Weight 506 grams
Dimensions 16.20 x 24.00 x 2.50 cms
Ksh 21,200.00
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Soviet Critical Design is the first book to explore the socialist design practice of ‘artistic projecteering’, which was developed by the USSR’s Senezh Experimental Studio in the 1960s. Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet state’s treatment of citizens, urban heritage and public spaces. Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional.

Soviet Critical Design is the first book to explore the socialist design practice of ‘artistic projecteering’, which was developed by the USSR’s Senezh Experimental Studio in the 1960s.

Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet state’s treatment of citizens, urban heritage and public spaces.

Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional.


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