Subjunctive Aesthetics : Mexican Cultural Production in the Era of Climate Change
Book Details
Format
Paperback / Softback
Book Series
Critical Mexican Studies
ISBN-10
0826506178
ISBN-13
9780826506177
Publisher
Vanderbilt University Press
Imprint
Vanderbilt University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 31st, 2024
Print length
288 Pages
Weight
420 grams
Dimensions
15.10 x 22.80 x 1.80 cms
Product Classification:
Literary studies: generalSocial theoryClimate change
Ksh 5,600.00
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Argues for the importance of ecocritical approaches within the field of Mexican Studies. This book engages with established and up-and-coming Latin American ecocritical scholars who argue that Latin America offers an important corrective to Anglocentric approaches to the Anthropocene by foregrounding colonialism and empire.
Premio al Mejor Libro en Humanidades, Latin American Studies Association-Mexico Section, 2025
Honorable Mention, LASA Environment Best Book Prize, Latin American Studies Association-Environment Section, 2025
During the twenty-first century, Mexico has escalated extractive concessions at the same time that it has positioned itself as an international leader in the fight against climate change. Cultural production emergent from this contradiction frames this impasse as a crisis of imagination. Subjunctive Aesthetics studies how contemporary writers, filmmakers, and visual artists grapple with the threat that climate change and extractivist policies pose to Mexico''s present and future. It explores how artists rise to the challenge of envisioning alternative forms of territoriality (ways of being in relation to the environment) through strategies ranging from rewriting to counterfactual speculation.
Whereas ecocritical studies have often focused on art''s evidentiary role-its ability to visualize and prove the urgency of environmental damage-author Carolyn Fornoff argues that what unites the artists under consideration is their use of more hypothetical, uncertain representational modes, or "subjunctive aesthetics." In English, the subjunctive is a grammatical mode that articulates the imagined, desired, and possible. In the Spanish language, it is even more widely used to express doubts, denials, value judgments, and emotions. Each chapter of Subjunctive Aesthetics takes up one of these modalities to examine how Mexican artists, writers, and filmmakers activate approaches to the planet not just as it is, but as it could be or should be.
Honorable Mention, LASA Environment Best Book Prize, Latin American Studies Association-Environment Section, 2025
During the twenty-first century, Mexico has escalated extractive concessions at the same time that it has positioned itself as an international leader in the fight against climate change. Cultural production emergent from this contradiction frames this impasse as a crisis of imagination. Subjunctive Aesthetics studies how contemporary writers, filmmakers, and visual artists grapple with the threat that climate change and extractivist policies pose to Mexico''s present and future. It explores how artists rise to the challenge of envisioning alternative forms of territoriality (ways of being in relation to the environment) through strategies ranging from rewriting to counterfactual speculation.
Whereas ecocritical studies have often focused on art''s evidentiary role-its ability to visualize and prove the urgency of environmental damage-author Carolyn Fornoff argues that what unites the artists under consideration is their use of more hypothetical, uncertain representational modes, or "subjunctive aesthetics." In English, the subjunctive is a grammatical mode that articulates the imagined, desired, and possible. In the Spanish language, it is even more widely used to express doubts, denials, value judgments, and emotions. Each chapter of Subjunctive Aesthetics takes up one of these modalities to examine how Mexican artists, writers, and filmmakers activate approaches to the planet not just as it is, but as it could be or should be.
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