Sun, Sea, and Sound : Music and Tourism in the Circum-Caribbean
Book Details
Format
Paperback / Softback
ISBN-10
0199988862
ISBN-13
9780199988860
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 26th, 2014
Print length
352 Pages
Weight
464 grams
Dimensions
23.20 x 15.90 x 2.40 cms
Product Classification:
World musicCultural studiesAnthropologyTourism industry
Ksh 6,100.00
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Studies in both music and tourism are integral to understanding the culture and livelihood of the circum-Caribbean region, but until recently have been approached from separate perspectives. Sun, Sea, and Sound unites these two areas to bring forward a new framework of study-- ''music touristics.'' Over the course of eleven chapters, a distinguished, multi-disciplinary group of scholars explore a variety of localities, including Cuba, Jamaica, Brazil, St. Lucia, and New Orleans.
Music and tourism, both integral to the culture and livelihood of the circum-Caribbean region, have until recently been approached from disparate disciplinary perspectives. Scholars who specialize in tourism studies typically focus on issues such as economic policy, sustainability, and political implications; music scholars are more likely to concentrate on questions of identity, authenticity, neo-colonialism, and appropriation. Although the insights generated by these paths of scholarship have long been essential to study of the region, Sun, Sea, and Sound turns its attention to the dynamics and interrelationships between tourism and music throughout the region. Editors Timothy Rommen and Daniel T. Neely bring together a group of leading scholars from the fields of ethnomusicology, anthropology, mobility studies, and history to develop and explore a framework - termed music touristics - that considers music in relation to the wide range of tourist experiences that have developed in the region. Over the course of eleven chapters, the authors delve into an array of issues including the ways in which countries such as Jamaica and Cuba have used music to distinguish themselves within the international tourism industry, the tourism surrounding music festivals in St. Lucia and New Orleans, the intersections between music and sex tourism in Brazil, and spirituality tourism in Cuba. An indispensable resource for the study of music and tourism in global perspective, Sun, Sea, and Sound is essential reading for scholars and students across disciplines interested in the Caribbean region.
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