Surrealism

Appealing to research students and specialist scholars, this book brings fresh perspectives to many of Surrealism's enduring critical concepts and experimental practices by placing them within an expanded historical and geographical framework. The book's interdisciplinary focus makes it relevant for a range of arts and humanities disciplines.

This book examines the salient ideas and practices that have shaped Surrealism as a protean intellectual and cultural concept that fundamentally shifted our understanding of the nexus between art, culture, and politics. By bringing a diverse set of artistic forms and practices such as literature, manifestos, collage, photography, film, fashion, display, and collecting into conversation with newly emerging intellectual traditions (ethnography, modern science, anthropology, and psychoanalysis), the essays in this volume reveal Surrealism''s enduring influence on contemporary thought and culture alongside its anti-colonial political position and international reach. Surrealism''s fascination with novel forms of cultural production and experimental methods contributed to its conceptual malleability and temporal durability, making it one of the most significant avant-garde movements of the twentieth century. The book traces how Surrealism''s urgent political and aesthetic provocations have bequeathed an important legacy for recent scholarly interest in thing theory, critical vitalism, new materialism, ontology, and animal/human studies.