Sycamore : Poems
by
Kathy Fagan
Book Details
Format
Paperback / Softback
ISBN-10
1571314733
ISBN-13
9781571314734
Publisher
Milkweed Editions
Imprint
Milkweed Editions
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 27th, 2017
Print length
88 Pages
Product Classification:
Poetry by individual poets
Ksh 2,150.00
Re-Printing
0 in stock
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Quality
Fast
“One of the most inventive, vulnerable, and moving collections I have read in years.”—Randall Mann
Meditative and richly written, this collection of poems by Kathy Fagan takes the sycamore as its inspiration—and delivers precise, luminous insights on lost love, nature, and the process of recovery.
“It is the season of separation & falling / Away,” Fagan writes. And so—like the abundance of summer diminishing to winter, and like the bark of the sycamore, which sheds to allow the tree’s expansion—the speaker of these poems documents a painful loss and tenuous rebirth, which take shape against a forested landscape. Black walnuts fall where no one can eat or smell them. Cottonwood sends out feverish signals of pollen. And everywhere are sycamores, informed by Fagan’s scientific and mythological research—shedding, growing tall, pale, and hollow enough to accommodate a person.
Fluidly metaphorical; filled with references to film, sculpture, and architecture; and linguistically playful—“Word games reveal a lot,” says Fagan’s speaker—these poems lay bare the poetic process as unflinchingly as they do an emotional one. In one poem: “Manischewitz, she calls me for the sweetness / Manitoba, for the expanse.” In another: “Sequoia, for example, is / the shortest word to use each vowel once. / Short word. Tall tree. AEIOU.” And, with finality, in another: “Sycamore. Sick amour. Seek no more.”
Spellbinding and ambitious—finding catharsis in wordplay and the humanity in nature—Sycamore is an important new work from a writer whose poems “gleam like pearls or slowly burning stones” (Philip Levine).
“It is the season of separation & falling / Away,” Fagan writes. And so—like the abundance of summer diminishing to winter, and like the bark of the sycamore, which sheds to allow the tree’s expansion—the speaker of these poems documents a painful loss and tenuous rebirth, which take shape against a forested landscape. Black walnuts fall where no one can eat or smell them. Cottonwood sends out feverish signals of pollen. And everywhere are sycamores, informed by Fagan’s scientific and mythological research—shedding, growing tall, pale, and hollow enough to accommodate a person.
Fluidly metaphorical; filled with references to film, sculpture, and architecture; and linguistically playful—“Word games reveal a lot,” says Fagan’s speaker—these poems lay bare the poetic process as unflinchingly as they do an emotional one. In one poem: “Manischewitz, she calls me for the sweetness / Manitoba, for the expanse.” In another: “Sequoia, for example, is / the shortest word to use each vowel once. / Short word. Tall tree. AEIOU.” And, with finality, in another: “Sycamore. Sick amour. Seek no more.”
Spellbinding and ambitious—finding catharsis in wordplay and the humanity in nature—Sycamore is an important new work from a writer whose poems “gleam like pearls or slowly burning stones” (Philip Levine).
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