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Symphony No. 13
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Symphony No. 13 : Babi Yar. op. 113. bass, men's choir and orchestra. Study score.

Book Details

Format Sheet Music
ISBN-10 3689030080
ISBN-13 9783689030087
Publisher Sikorski Musikverlage
Country of Manufacture DE
Country of Publication GB
Publication Date Apr 17th, 2024
Print length 220 Pages
Weight 742 grams
Dimensions 29.50 x 21.20 x 1.50 cms
Ksh 9,650.00
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(Study Score). In September 1961, Yevgeny Yevtushenko''s poem ''Babi Yar'' appeared in the Soviet Literaturnaya Gazeta, addressing the mass shooting in 1941 of more than 33,000 Jewish men, women and children on the outskirts of Kyiv by the city''s German occupiers. Deeply moved by the poem, Shostakovich took it as the starting point for his Symphony No. 13 for bass, male choir, and orchestra. The work was premiered on 18 December 1962 at the sold-out Great Hall of the Moscow Conservatory, despite resistance and intimidation from the political leadership which sought to avoid such an explicit reference to Jewish suffering. The first performance, which was acclaimed by the audience, was mentioned in Pravda the next day with only a brief single sentence. This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in ''The New Collected Works of Dmitri Shostakovich''.
In September 1961, Yevgeny Yevtushenko's poem 'Babi Yar' appeared in the Soviet Literaturnaya Gazeta, addressing the mass shooting in 1941 of more than 33,000 Jewish men, women and children on the outskirts of Kyiv by the city's German occupiers. Deeply moved by the poem, Shostakovich took it as the starting point for his Symphony No. 13 for bass, male choir, and orchestra. The work was premiered on 18 December 1962 at the sold-out Great Hall of the Moscow Conservatory, despite resistance and intimidation from the political leadership which sought to avoid such an explicit reference to Jewish suffering. The first performance, which was acclaimed by the audience, was mentioned in Pravda the next day with only a brief single sentence. This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in ‘The New Collected Works of Dmitri Shostakovich’. Instrumentation:bass, men's choir and orchestraop. 113

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