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Taking Travel Home
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Taking Travel Home : The Souvenir Culture of British Women Tourists, 1750–1830

Book Details

Format Paperback / Softback
ISBN-10 152619161X
ISBN-13 9781526191618
Publisher Manchester University Press
Imprint Manchester University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 3rd, 2025
Print length 312 Pages
Weight 484 grams
Dimensions 13.90 x 21.50 x 2.60 cms
Ksh 4,600.00
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This book provides a new cultural history of the travel souvenir. It uncovers how eighteenth-century British women enlisted the objects they collected during their European travels to realise their ambitions in the arenas of connoisseurship, science and friendship, and to stake their claims to agency and authority as travelling subjects. -- .

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.

Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.

Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.


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