The Algorithmic Age of Personality – African Literature and Cancel Culture : African Literature and Cancel Culture

Yékú demonstrates how the politics of both conservative and liberal polarization imbricates to shape what can or cannot be said in online commentaries on African literary forms. This book challenges utopian framings of the digital by exploring how algorithms engender a culture of outrage, conflict, and personality-driven battles that distract from aesthetic considerations of literary texts.

As the affordances of authorship and reading practices on social media become deeply mediated by algorithmic curation, they encourage closer attention to the author's personality as fundamental to literary production. The Algorithmic Age of Personality: African Literature and Cancel Culture challenges any lingering utopianism in the role of digital media in African cultural productions by exploring how algorithms engender a culture of outrage, conflict, and personality-driven and ego battles that distract from aesthetic and ethical evaluations of literary texts. In Yékú’s careful attention to how contemporary African literary practices are significantly marked by the extractivist and affective logics of social media algorithms, he articulates the current state of debating in the critical universe of African literature and connects this to the phenomenon of “cancel culture.” Rather than a Manichean understanding of cancel culture, Yékú illustrates how the politics of both conservative and liberal polarization shape what can and cannot be said in online commentaries on African literary forms. The outcome is a work that situates postcolonial classics by Chinua Achebe and Joseph Conrad in online debates on cancel culture and decolonization, while responding to social media discussions on Western literary prizes, ethnicity, and sexuality involving writers like Soyinka, Ngugi, Wainaina, and Adichie.