The Archivability of Television – Essays on Preservation and Perseverance : Essays on Preservation and Perseverance
Book Details
Format
Paperback / Softback
Book Series
The Peabody Series in Media History
ISBN-10
0820373893
ISBN-13
9780820373898
Publisher
University of Georgia Press
Imprint
University of Georgia Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 1st, 2025
Print length
216 Pages
Weight
438 grams
Dimensions
22.80 x 15.10 x 2.20 cms
Product Classification:
TelevisionTelevisionGeneral & world history20th century history: c 1900 to c 2000Social & cultural historyPopular culturePopular cultureMedia, entertainment, information and communication industriesMedia, information & communication industriesHistoryGeneral and world historySocial and cultural history
Ksh 6,300.00
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This anthology critically evaluates archives and archival processes that collect, order, and preserve elements of television as historically, culturally, socially, politically, and economically significant material.
This anthology critically evaluates archives and archival processes that collect, order, and preserve elements of television as historically, culturally, socially, politically, and economically significant material. What do we know about how television moved from ephemeral broadcasts and mounds of paperwork documenting bureaucratic and creative processes to become historical material housed in archives? This book’s guiding principles are to interrogate where television as historical material “lives” and to collect the stories of some ways television preservation has been and continues to be deeply circumstantial and idiosyncratic. Bringing together work by academics, archivists, and practitioners, the book offers insights into the archival processes that confer television programs with historical value. With a focus on television’s archival spaces, the book contributes more broadly to theories, histories, and practices of archiving. Likewise, the theories and questions about archives provide insights into the specificities of the medium, the relations between technologies and culture, the political economy of the culture industries, and the minutiae of television’s “place” in American society.
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