The Art of Art History : A Critical Anthology
Book Details
Format
Paperback / Softback
Book Series
Oxford History of Art
ISBN-10
0199229848
ISBN-13
9780199229840
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 26th, 2009
Print length
600 Pages
Weight
1,466 grams
Dimensions
23.70 x 16.90 x 3.70 cms
Product Classification:
Theory of artHistory of art & design styles: c 1800 to c 1900
Ksh 5,450.00
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New edition of this key guide to art history, which takes a critical reading of the field's most innovative and influential texts over the past two centuries, including the most important new writing on the most recent work in a variety of new media.
What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field''s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today.
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