The Art of Religion : Sforza Pallavicino and Art Theory in Bernini's Rome
Book Details
Format
Paperback / Softback
Book Series
Histories of Vision
ISBN-10
1138253979
ISBN-13
9781138253971
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 11th, 2016
Print length
264 Pages
Weight
453 grams
Product Classification:
The arts: general issuesReligious subjects depicted in art
Ksh 10,100.00
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Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino''s writings offers a new perspective on Bernini''s art and artistry and allow us to understand the visual arts in papal Rome as a ''making manifest'' of the fundamental truths of faith. Pallavicino''s views on art and its effects differ fundamentally from the perspective developed in Bernini''s biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino''s writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.
Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino''s writings offers a new perspective on Bernini''s art and artistry and allow us to understand the visual arts in papal Rome as a ''making manifest'' of the fundamental truths of faith. Pallavicino''s views on art and its effects differ fundamentally from the perspective developed in Bernini''s biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino''s writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.
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