The Artistry of Exile
by
Jane Stabler
Book Details
Format
Hardback or Cased Book
ISBN-10
0199590249
ISBN-13
9780199590247
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 24th, 2013
Print length
294 Pages
Weight
514 grams
Dimensions
14.30 x 22.30 x 2.40 cms
Product Classification:
Literary studies: c 1800 to c 1900 Modern history to 20th century: c 1700 to c 1900
Ksh 19,850.00
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The Artistry of Exile is a new study of one of the most important myths of nineteenth-century literature. Romantic poetry abounds with allusions to the loss of Eden and the isolation of figures who are 'sick for home'. This book explores the way such thematic preoccupations are modified by the material reality of enforced travel away from home.
The Artistry of Exile is a new reading of one of the most important themes of nineteenth-century literature. Exile represents a crisis in the always present tension between self and culture, the disturbance of memory, the quest for home, and the survival or not of life''s heart quakes -- all of which became identifying features of canonical Romanticism. Focusing on two interlinked groups of writers who, for various reasons, felt cast out of England and sought refuge in Italy, this book traces the material and metaphoric dynamics of distance in poems, novels and epistolary conversations. The book brings into dialogue the self-alienation and existential antagonism of the Cain figure with the contingencies of real travel: conversations about writing desks, lost parcels of books, missing pans and stray camels. Domestic and cosmic perspectives mingle as the book reveals how writers realize the full resonance of Dante''s vivid summation of exile in the taste of different bread and the difficulty of another man''s stairs. As a country that only exists in the early nineteenth-century as a memory, Italy both embodies and energises formal attempts to bridge the distance created by exile in the work of the Byron-Shelley circle and the later Barrett-Browning- Browning collaboration. Examining these writers in relation to Italian art, sound, religion, narrative art and history, the book presents a new perspective on Romantic canonicity and relocates contemporary ideas of cosmopolitanism in the aesthetic, ethical and political debates of the late Romantic and early Victorian world.
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