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The Author in Criticism
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The Author in Criticism : Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom

Book Details

Format Hardback or Cased Book
ISBN-10 1683931912
ISBN-13 9781683931911
Publisher Fairleigh Dickinson University Press
Imprint Fairleigh Dickinson University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 11th, 2020
Print length 306 Pages
Weight 621 grams
Dimensions 23.90 x 16.00 x 2.80 cms
Ksh 16,750.00
Manufactured on Demand 0 in stock

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The Author in Criticism offers a comparative analysis of the reception and circulation of Italo Calvino’s works in the United States of America, the United Kingdom and Italy, proposing new views that arise from the analysis of the different phases and faces that characterize Calvino’s transnational authorial profile.
The Author in Criticism explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom and Italy. It considers the external factors that contribute to diversify readings of Calvino’s texts in different contexts. The volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (such as gender and place of birth), translation and the language in which the author speaks (or fails to speak) to us. It traces the influence of these aspects in the academic discourse on Calvino. The book analyses as well Calvino’s various professional roles as writer, editor, essayist, journalist, private correspondent and public, cosmopolitan intellectual, reappraising their often little acknowledged importance for academic criticism. An important underlying idea is that the preconceived image that every critic has of Calvino before even opening one of his books is often solidified and repeated even in the most refined and complex critical analyses. The volume purposefully predilects the textual and non-textual parts that are usually considered peripheral to the works of an author, such as book covers, blurbs, reviews, talks, interviews etc. In this way, the book provides insight into the reception of Calvino’s works in different countries. Moreover, it forms a broader reflection of and on important constants in the workings of literary criticism, and on the way academic discourses have developed in various cultural contexts over the last decades.

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