Book Details
Format
Paperback / Softback
ISBN-10
155245245X
ISBN-13
9781552452455
Edition
2nd
Publisher
Coach House Books
Imprint
Coach House Books
Country of Manufacture
CA
Country of Publication
GB
Publication Date
May 3rd, 2007
Print length
96 Pages
Weight
158 grams
Dimensions
12.70 x 20.90 x 1.20 cms
Product Classification:
Poetry by individual poets
Ksh 2,150.00
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These confrontational poems about sex and boredom, drugs and suicide, document Jones' depressive, alcoholic years as an enfant terrible.
The brave ride streetcars to jobs
early in the morning, have traffic accidents,
rob banks. The brave have children, relationships,
mortgages. The brave never write these things
down in notebooks. The brave die and they are
dead.
First published in 1985, when Daniel Jones was just twenty-six, The Brave Never Write Poetry, the poet/critic/novelist’s lone collection of poems, was a cult hit, turning poetry’ on its head before its author (then known simply as Jones’) swore off verse entirely. Written in a direct, plainspoken, autobiographical and at times confessional style in the tradition of Charles Bukowski and Al Purdy, these confrontational poems about sex and boredom, drugs and suicide, document Jones’ depressive, alcoholic years as an enfant terrible.
This long overdue revised edition brings Jones’ unforgettable voice to a new generation of readers and includes the complete text of the original collection (including Jones’ own sardonic assessments of his own poetry) and a new postscript essay by poet/critic Kevin Connolly.
early in the morning, have traffic accidents,
rob banks. The brave have children, relationships,
mortgages. The brave never write these things
down in notebooks. The brave die and they are
dead.
First published in 1985, when Daniel Jones was just twenty-six, The Brave Never Write Poetry, the poet/critic/novelist’s lone collection of poems, was a cult hit, turning poetry’ on its head before its author (then known simply as Jones’) swore off verse entirely. Written in a direct, plainspoken, autobiographical and at times confessional style in the tradition of Charles Bukowski and Al Purdy, these confrontational poems about sex and boredom, drugs and suicide, document Jones’ depressive, alcoholic years as an enfant terrible.
This long overdue revised edition brings Jones’ unforgettable voice to a new generation of readers and includes the complete text of the original collection (including Jones’ own sardonic assessments of his own poetry) and a new postscript essay by poet/critic Kevin Connolly.
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