The Cambridge Companion to Classics and Race
Book Details
Format
Paperback / Softback
Book Series
Cambridge Companions to the Ancient World
ISBN-10
1009295136
ISBN-13
9781009295130
Publisher
Cambridge University Press
Imprint
Cambridge University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 21st, 2026
Print length
564 Pages
Weight
810 grams
Dimensions
15.10 x 22.90 x 3.30 cms
Product Classification:
Oriental artHistory of art: ancient & classical art,BCE to c 500 CEHistory of artHistory of artAncient, classical and medieval textsClassical textsAncient history: to c 500 CENational liberation & independence, post-colonialismWestern philosophy: Ancient, to c 500Ancient Greek religion & mythologyRoman religion & mythologySocial discrimination and social justiceEthnic groups and multicultural studiesSocial discrimination & inequalityEthnic minorities & multicultural studiesAncient historyNational liberation and independenceAncient Greek and Roman philosophyAncient Greek religion and mythologyRoman religion and mythology
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What was 'race' in the ancient Greek and Roman worlds? How did Classics become the province of dead 'White' men? This book explores the different manifestations of 'race' across Graeco-Roman antiquity as well as how the field of Classics became infused with racial ideologies in the modern world.
Race as a concept has had a fraught role in the history of Classics, woven into its formation as an academic discipline. While the texts and artefacts of the ancient Mediterranean world provide complex understandings of what race might mean and how it might operate, they have also provided fodder for modern racial ideologies. This Companion offers a wide-ranging and groundbreaking overview of 'race' and 'racism' in ancient Mediterranean cultures as well as in the formation of Classics as a discipline. Through twenty-four chapters written by a team of international scholars, it clarifies the terms and concepts that are central to contemporary theories of race and explores the extent to which they can be applied to the study of the ancient Mediterranean world, in and beyond Greece and Rome. It also showcases various concrete examples of how Classics has been shaped by the intertwined histories of race and colonialism.
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