The Classical Animated Documentary and Its Contemporary Evolution
Book Details
Format
Hardback or Cased Book
ISBN-10
1501346466
ISBN-13
9781501346460
Publisher
Bloomsbury Publishing Plc
Imprint
Bloomsbury Academic
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 21st, 2022
Print length
328 Pages
Weight
626 grams
Dimensions
15.70 x 23.60 x 2.50 cms
Product Classification:
Documentary filmsAnimated filmsDocumentary filmsAnimated films and animation
Ksh 21,400.00
Manufactured on Demand
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Quality
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The Classical Animated Documentary and Its Contemporary Evolutionis the first book to provide an historical insight into the animated documentary.
Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones, such as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid-1980s and those produced today so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution.
Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones, such as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid-1980s and those produced today so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution.
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