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The Classical Animated Documentary and Its Contemporary Evolution
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The Classical Animated Documentary and Its Contemporary Evolution

Book Details

Format Hardback or Cased Book
ISBN-10 1501346466
ISBN-13 9781501346460
Publisher Bloomsbury Publishing Plc
Imprint Bloomsbury Academic USA
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 21st, 2022
Print length 328 Pages
Weight 626 grams
Dimensions 15.70 x 23.60 x 2.50 cms
Product Classification: Documentary filmsAnimated films
Ksh 21,400.00
Manufactured on Demand 0 in stock

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The Classical Animated Documentary and Its Contemporary Evolution is the first book to provide an historical insight into the animated documentary. Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones, such as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid-1980s and those produced today so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution.

The Classical Animated Documentary and Its Contemporary Evolution is the first book to provide an historical insight into the animated documentary.

Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones, such as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid-1980s and those produced today so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution.


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