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The Concerto
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The Concerto : A Listener's Guide

Book Details

Format Hardback or Cased Book
ISBN-10 0195103300
ISBN-13 9780195103304
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Jan 28th, 1999
Print length 528 Pages
Weight 926 grams
Dimensions 24.30 x 16.60 x 3.80 cms
Product Classification: Western "classical" musicOrchestras
Ksh 10,100.00
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A companion to his The Symphony: A Listener's Guide , Steinberg's new book covers the orchestral concerto repertoire from Bach to the present and featuring all instruments.
Michael Steinberg''s 1996 volume The Symphony: A Reader''s Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener''s Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach''s Brandenburg Concertos, eighteen of Mozart''s piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora''k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be''la Barto''k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy.

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