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The Corporeal Image
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The Corporeal Image : Film, Ethnography, and the Senses

Book Details

Format Paperback / Softback
ISBN-10 0691121567
ISBN-13 9780691121567
Publisher Princeton University Press
Imprint Princeton University Press
Country of Manufacture US
Country of Publication GB
Publication Date Oct 30th, 2005
Print length 328 Pages
Weight 494 grams
Dimensions 22.10 x 15.20 x 2.00 cms
Product Classification: Film theory & criticism
Ksh 7,200.00
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Building upon the ideas from his "Transcultural Cinema", the author argues for a different conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words. In ten chapters, he explores the relations between photographic images and the human body.

In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.


In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys'' school in northern India. The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood. The book''s final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words. In place of the conventional wisdom, he proposes a new set of principles for visual anthropology.


These are essays in the classical sense--speculative, judicious, lucidly written, and mercifully jargon-free. The Corporeal Image presents the latest ideas from one of our foremost thinkers on the role of vision and visual representation in contemporary social thought.


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