The Coven Tendency
Book Details
Format
Paperback / Softback
ISBN-10
1368099238
ISBN-13
9781368099233
Publisher
Hyperion
Imprint
Hyperion
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 5th, 2026
Print length
384 Pages
Weight
346 grams
Dimensions
20.70 x 13.90 x 2.60 cms
Product Classification:
Graphic novel / Comic book / Manga: styles / traditionsChildren’s / Teenage fiction: Horror and ghost stories, chillers, or other scary supernatural storiesHorror & ghost stories, chillers (Children's / Teenage)Children’s / Teenage fiction: FantasyFantasy & magical realism (Children's / Teenage)Comic strip fiction / graphic novels (Children's / Teenage)
Ksh 1,800.00
Not Yet Published
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Quality
Fast
Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . .
Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.
But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.
To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .
Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.
But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.
To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .
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