The Cult of the Virgin Mary in Medieval Italy : Art, Devotion, and Liturgy in Orvieto

Focusing on two fourteenth-century narrative programs in the tribune of Orvieto Cathedral: Giovanni di Bonino's stained-glass window and Ugolino di Prete Ilario's frescoes, this book explores the mysterious allure of the Virgin Mary and the manifestation of her cult in Italy. It shows how the narratives promoted agendas tied to the city's history.

Late medieval Italy witnessed the widespread rise of the cult of the Virgin, as reflected in the profusion of paintings, sculptures, and fresco cycles created in her honor during this period. The cathedral of papal Orvieto especially reflects the strong Marian tradition through its fresco and stained-glass window narrative cycles. In this study, Sara James explores its complex narrative programs. She demonstrates how a papal plan for the cathedral to emulate the basilica of S. Maria Maggiore in Rome, together with Dominican and Franciscan texts, determined the choices and arrangement of scenes. The result is a tour de force of Marian devotion, superior artistry, and compelling story-telling. James also shows how the narratives promoted agendas tied to the city''s history and principal religious feasts. Not only are these works more interesting, sophisticated, and theologically rich than previously realized, but, as James argues, each represents the acme in their respective media of their generation in central Italy.