The Culture of Regionalism : Art, Architecture and International Exhibitions in France, Germany and Spain, 1890–1939
by
Eric Storm
Book Details
Format
Hardback or Cased Book
ISBN-10
0719081475
ISBN-13
9780719081477
Publisher
Manchester University Press
Imprint
Manchester University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 1st, 2010
Print length
336 Pages
Weight
746 grams
Dimensions
17.90 x 25.00 x 2.60 cms
Product Classification:
History of art / art & design styles
Ksh 15,300.00
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The Culture of Regionalism is the first international comparative study of regionalism, and provides a fresh view of the relationship between cultural regionalism, political regionalism and nationalism -- .
This pioneering book studies the rise, heyday and demise of regionalism from the Belle Époque until the Eve of the Second World War. By using a novel comparative perspective it gives a fresh view of the relationship between cultural regionalism, political regionalism and nationalism. Storm further illuminates how during the first decades of the twentieth century the culture of regionalism slowly lost the battle against its main rival: the avant-garde.
Regional identities, like national identities, were created and sometimes even invented; and this was equally the case in France, Germany and Spain. Artists, architects and international exhibitions played a highly influential role in this process. They all appropriated, and in some cases perverted, the regionalist message showing that strong regional identities would ultimately reinforce national unity.
This book offers new perspectives to specialists of regionalism and nationalism, but will also be of interest to students of the cultural history of France, Germany and Spain and to specialists from the fields of politics, ethnology, art history, cultural studies and architectural history.
Regional identities, like national identities, were created and sometimes even invented; and this was equally the case in France, Germany and Spain. Artists, architects and international exhibitions played a highly influential role in this process. They all appropriated, and in some cases perverted, the regionalist message showing that strong regional identities would ultimately reinforce national unity.
This book offers new perspectives to specialists of regionalism and nationalism, but will also be of interest to students of the cultural history of France, Germany and Spain and to specialists from the fields of politics, ethnology, art history, cultural studies and architectural history.
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