The Digital Film Event
Book Details
Format
Hardback or Cased Book
ISBN-10
0415972248
ISBN-13
9780415972246
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 1st, 2005
Print length
238 Pages
Weight
676 grams
Product Classification:
Films, cinema
Ksh 27,900.00
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Quality
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Trinh Minh-ha explores the way technology transforms our perception of reality. With her signature amalgam of feminism, Eastern Philosophy, and practical understanding of filmmaking, she presents a much-needed advance in our concept of the real in a technological age.
Endless travel in cyberspace, virtual reality, and the dream of limitless speed: technology changes our sense of self. In her new book, Trinh Minh-ha explores the way technology transforms our perception of reality.
"We are all engaged in social rituals in our daily activities, she writes, "and by remaining unaware of their artistic ritual propensity, we remain ''in conformity''." Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to "turn an instrument into a creative tool and to step out of the one-dimensional, technologically servile mind."
The paradox that "stillness contains speed within it" is central to Trinh''s concept of the digital apparatus. With her signature amalgam of feminism, Eastern philosophy, and practical understanding of filmmaking, Trinh Minh-ha presents a much-needed advance in our concept of the real in a technological age.
"We are all engaged in social rituals in our daily activities, she writes, "and by remaining unaware of their artistic ritual propensity, we remain ''in conformity''." Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to "turn an instrument into a creative tool and to step out of the one-dimensional, technologically servile mind."
The paradox that "stillness contains speed within it" is central to Trinh''s concept of the digital apparatus. With her signature amalgam of feminism, Eastern philosophy, and practical understanding of filmmaking, Trinh Minh-ha presents a much-needed advance in our concept of the real in a technological age.
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