The End of Tradition?
Book Details
Format
Paperback / Softback
ISBN-10
0415290414
ISBN-13
9780415290418
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 4th, 2003
Print length
280 Pages
Weight
520 grams
Product Classification:
Theory of architectureCultural studies
Ksh 11,900.00
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Rooted in real world observations, this book questions the concept of tradition - whether contemporary globalization will prove its demise or whether there is a process of simultaneous ending and renewing.
Rooted in real world observations, this book questions the concept of tradition - whether contemporary globalization will prove its demise or whether there is a process of simultaneous ending and renewing.
In his introduction, Nezar Alsayyad discusses the meaning of the word ''tradition'' and the current debates about the ''end of tradition''. Thereafter the book is divided into three parts. The three chapters in part I explore the inextricable link between ''tradition'' and ''modern'', revealing the geopolitical implications of this link. Part II looks at tradition as a
process of invention and here the three chapters are all concerned with the making of landscapes and landscape myths, showing how the spectacle of history can be aestheticized and naturalized. Finally, Part III shows how traditionis a regime, programmed and policed and how it has been deployed, resisted, and reworked through hegemonic struggles that seek to create both built environments and citizen-subjects.
In his introduction, Nezar Alsayyad discusses the meaning of the word ''tradition'' and the current debates about the ''end of tradition''. Thereafter the book is divided into three parts. The three chapters in part I explore the inextricable link between ''tradition'' and ''modern'', revealing the geopolitical implications of this link. Part II looks at tradition as a
process of invention and here the three chapters are all concerned with the making of landscapes and landscape myths, showing how the spectacle of history can be aestheticized and naturalized. Finally, Part III shows how traditionis a regime, programmed and policed and how it has been deployed, resisted, and reworked through hegemonic struggles that seek to create both built environments and citizen-subjects.
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