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The Ends of History
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The Ends of History : Victorians and "the Woman Question"

Book Details

Format Paperback / Softback
ISBN-10 1138008036
ISBN-13 9781138008038
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 4th, 2014
Print length 200 Pages
Weight 294 grams
Ksh 8,800.00
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Why were the Victorians so passionate about "History"?

How did this passion relate to another Victorian obsession – the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians’ fascination with "history" and with the nature of "women."

Discussing both key novels and non-literary texts – Daniel Deronda and Hegel’s Philosophy of History; Henry Esmond and Macaulay’s History of England; Little Dorrit, Wilkie Collins’ The Frozen Deep, and Mayhew’s survey of "labour and the poor"; Villette, Patrick Fairburn’s The Typology of Scripture and Ruskin’s Modern Painters – she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby’s analysis raises a crucial question for today’s feminists – how can one read historically without replicating the problem of nineteenth century "history"?

The book was first published in 1991.

Why were the Victorians so passionate about "History"?

How did this passion relate to another Victorian obsession – the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians’ fascination with "history" and with the nature of "women."

Discussing both key novels and non-literary texts – Daniel Deronda and Hegel’s Philosophy of History; Henry Esmond and Macaulay’s History of England; Little Dorrit, Wilkie Collins’ The Frozen Deep, and Mayhew’s survey of "labour and the poor"; Villette, Patrick Fairburn’s The Typology of Scripture and Ruskin’s Modern Painters – she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby’s analysis raises a crucial question for today’s feminists – how can one read historically without replicating the problem of nineteenth century "history"?

The book was first published in 1991.


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