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The Ethical Imagination in Shakespeare and Heidegger
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The Ethical Imagination in Shakespeare and Heidegger

Book Details

Format Paperback / Softback
ISBN-10 1350177997
ISBN-13 9781350177994
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Aug 20th, 2020
Print length 272 Pages
Weight 428 grams
Dimensions 15.70 x 23.50 x 1.90 cms
Ksh 6,950.00
Manufactured on Demand 0 in stock

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While large bodies of scholarship exist on the plays of Shakespeare and the philosophy of Heidegger, this book is the first to read these two influential figures alongside one another, and to reveal how they can help us develop a creative and contemplative sense of ethics, or an 'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take place between the English language’s most prominent poet and the philosopher widely considered to be central to continental philosophy. Interpreting the plays of Shakespeare through the writings of Heidegger and vice versa, each chapter pairs a select play with a select work of philosophy. In these pairings the themes, events, and arguments of each work are first carefully unpacked, and then key passages and concepts are taken up and read against and through one another. As these hermeneutic engagements and cross-readings unfold we find that the words and deeds of Shakespeare’s characters uniquely illuminate, and are uniquely illuminated by, Heidegger’s phenomenological analyses of being, language, and art.

While large bodies of scholarship exist on the plays of Shakespeare and the philosophy of Heidegger, this book is the first to read these two influential figures alongside one another, and to reveal how they can help us develop a creative and contemplative sense of ethics, or an ''ethical imagination''.

Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take place between the English language’s most prominent poet and the philosopher widely considered to be central to continental philosophy. Interpreting the plays of Shakespeare through the writings of Heidegger and vice versa, each chapter pairs a select play with a select work of philosophy. In these pairings the themes, events, and arguments of each work are first carefully unpacked, and then key passages and concepts are taken up and read against and through one another. As these hermeneutic engagements and cross-readings unfold we find that the words and deeds of Shakespeare’s characters uniquely illuminate, and are uniquely illuminated by, Heidegger’s phenomenological analyses of being, language, and art.


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