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By: (Edited by) Cameron Cartiere , (Edited by) Martin Zebracki
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This multidisciplinary anthology is the first to explicitly address both the pedagogy and geographies of socially-engaged public art practice.
Topics include: constructing new models for developing and commissioning temporary and performance based public artworks; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unraveling the relationships between public artists and the communities they serve.
Complete with a visual timeline providing historical context, The Everyday Practice of Public Art is an essential guide to the increasingly complex nature of artists practicing in the public realm in the twenty-first century.
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment.
It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process.
The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve.
The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
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