The Evolution of Classical Detective Fiction in Japan : Between Honkaku and Henkaku

This Element traces the evolution of honkaku detective fiction in Japan. It examines how the Western-born formula was adapted to Japan's cultural contexts. The second section shows the postwar reconfiguration. The third section mentions the New Orthodox School. This Element reconsiders the aesthetic and cultural functions of detective fiction.

This Element traces the evolution of honkaku (orthodox) detective fiction in Japan, examining how a Western-derived puzzle genre was adapted, contested, and transformed within Japan's twentieth-century cultural climate. It begins with the genre's prewar formation, focusing on Edogawa Rampo's shift from a faithful practitioner of honkaku to a representative figure of Japan's henkaku (unorthodox) mode. The second section analyzes the postwar honkaku movement, demonstrating how Seishi Yokomizo and Seicho Matsumoto revitalized the genre while revealing the limits of the classical puzzle model. The final section turns to the New Orthodox School of the 1990s, whose writers pushed honkaku to its limits by reworking narrative structures and subverting genre conventions. By foregrounding debates surrounding honkaku, this Element theorizes detective fiction as a historically contingent system of formal constraints and cultural negotiations, positioning modern Japanese literature as a crucial site for rethinking genre, narrative logic, and the global circulation of literary forms.