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The Films of Barbara Wagner & Benjamin De Burca
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The Films of Barbara Wagner & Benjamin De Burca

Book Details

Format Paperback / Softback
ISBN-10 0921972792
ISBN-13 9780921972792
Publisher Art Gallery of York University,Canada
Imprint Art Gallery of York University,Canada
Country of Manufacture CA
Country of Publication GB
Publication Date Feb 6th, 2020
Print length 128 Pages
Weight 844 grams
Dimensions 23.20 x 29.30 x 1.50 cms
Product Classification: Electronic, holographic & video art
Ksh 6,300.00
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The Brazilian-German artist duo of Barbara Wagner (born 1980) and Benjamin de Burca (born 1975), formed in 2011, counter the impulse to categorize culture in terms that are fixed or deemed folk by organizations such as UNESCO by exploring cultural change across generations and geographies. Their work celebrates and reframes vernacular cultural forms as they have manifested through time; as popular traditions become pop culture, for instance. Through their films, the artists examine a space in between, where cultural forms of the past adapt in response to changing economic conditions particularly in emerging economies or post-colonial geographical contexts and where popular genres persist through cultural mixing and diasporic refashioning. The artists look to how performative forms of colonial cultural resistance in Brazil's northeast, in particular, continue today but in revised expression. This book, designed by Lisa Kiss, leads a discussion about their films, including the work slated to premiere at the 2019 Venice Biennale.

The Brazilian German artist duo of Bárbara Wagner (born 1980) and Benjamin de Burca (born 1975), formed in 2011, counter the impulse to categorize culture in terms that are fixed—or deemed “folk” by organizations such as UNESCO—by exploring cultural change across generations and geographies. Their work celebrates and reframes vernacular cultural forms as they have manifested through time; as popular traditions become pop culture, for instance. Through their films, the artists examine a space in between, where cultural forms of the past adapt in response to changing economic conditions—particularly in emerging economies or postcolonial geographical contexts—and where popular genres persist through cultural mixing and diasporic refashioning. The artists look to how performative forms of colonial cultural resistance in Brazil’s northeast, in particular, continue today but in revised expression. This book, designed by Lisa Kiss, leads a discussion about their films, including the work slated to premiere at the 2019 Venice Biennale.


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