Tess Taylor s much-anticipated lyric debut is at once a sensuous reckoning with an ambiguous family history and a haunting meditation on national legacy. The Forage House explores how we make stories, and how stories even painful ones make us.
Attic boxes full of shards. Family stories full of secrets. A grandchild wondering what to save and what to throw away seeks to make sense of what it means to inherit anything at all. In The Forage House, the speaker unravels a rich and troubling history. Some of her ancestors were the Randolph Jeffersons, one of Virginia’s most prominent slaveholding families. Some were New England missionaries. Some were dirt-poor Appalachians. And one was the brilliant, controversial Thomas Jefferson. Shuttling between legend and story, history and family tale, these poems visit cluttered attics, torn wills, and marked and unmarked graves. Working alongside historians and archaeologists, Taylor unearths buttons, pipes, and the accidental rubble of a busy state building its new freeway. Based in years of research and travel, these poems form a kind of lyric journalism, collaged from tantalizing fragments. Moving between past and present, East and West, they reveal an uneasy genealogist struggling with ambiguous legacies. The poems ask how fragments exert force now. They dance between inheritance and loss, reimagining \u201cilluminating lies.\u201d In their hunger to assemble and remember, they also forge a new record of struggle and love: \u201chow much I wish for will not be recorded.\u201d
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