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The Free Voice
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The Free Voice : A Guide to Natural Singing

Book Details

Format Paperback / Softback
ISBN-10 0190683910
ISBN-13 9780190683917
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 19th, 2018
Print length 232 Pages
Weight 334 grams
Dimensions 15.70 x 23.30 x 1.40 cms
Product Classification: Techniques of music / music tutorials
Ksh 7,200.00
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This 50th anniversary edition of Cornelius L. Reid's The Free Voice approaches the teaching of singing in a functional, as opposed to mechanistic, way. Through exercises based on an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds, the singer can develop a well-balanced and coordinated voice and sing without force.
Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling.In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid''s approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.

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