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The Frescoed Facade in Renaissance Roman Visual Culture
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The Frescoed Facade in Renaissance Roman Visual Culture

Book Details

Format Hardback or Cased Book
ISBN-10 9463726284
ISBN-13 9789463726283
Publisher Amsterdam University Press
Imprint Amsterdam University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Feb 17th, 2025
Print length 230 Pages
Weight 596 grams
Dimensions 24.70 x 17.60 x 1.80 cms
Ksh 22,500.00
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This book examines Roman façades decorated with fresco and sgraffito between the fifteenth and sixteenth centuries that once enveloped the central rioni of Rome within a web of symbolic social, political, and familial allegiances that transformed a street-side stroll into a visually engaging experience. Today, many of these faces are lost, and our understanding of what they comprised is frighteningly incomplete. This book offers a refreshed look at this often-forgotten facet of Renaissance visual culture to reignite interest in the tradition before its last remnants disappear. In addition to offering a new compilation of these documented façades, this book also places new emphasis on the making and meaning of these “painted faces” to provide new insights into the place of the decorated façade at the intersections of patron identity and painterly innovation in a city working tirelessly to reinvent itself.
• an updated account of a vanishing visual tradition • a new perspective on the artists who created these frescoed facades • the opportunity to frame new modes of inquiry into this visual tradition both as it manifested in Rome and beyond This book examines Roman façades decorated with fresco and sgraffito between the fifteenth and sixteenth centuries that once enveloped the central rioni of Rome within a web of symbolic social, political, and familial allegiances that transformed a street-side stroll into a visually engaging experience. Today, many of these faces are lost, and our understanding of what they comprised is frighteningly incomplete. This book offers a refreshed look at this often-forgotten facet of Renaissance visual culture to reignite interest in the tradition before its last remnants disappear. In addition to offering a new compilation of these documented façades, this book also places new emphasis on the making and meaning of these “painted faces” to provide new insights into the place of the decorated façade at the intersections of patron identity and painterly innovation in a city working tirelessly to reinvent itself.

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