The Frescoed Facade in Renaissance Roman Visual Culture
Book Details
Format
Hardback or Cased Book
Book Series
Visual and Material Culture, 1300-1700
ISBN-10
9463726284
ISBN-13
9789463726283
Publisher
Amsterdam University Press
Imprint
Amsterdam University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 17th, 2025
Print length
230 Pages
Weight
596 grams
Dimensions
24.70 x 17.60 x 1.80 cms
Product Classification:
Renaissance artPainting & paintingsEuropean historyEarly modern history: c 1450/1500 to c 1700
Ksh 22,500.00
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This book examines Roman façades decorated with fresco and sgraffito between the fifteenth and sixteenth centuries that once enveloped the central rioni of Rome within a web of symbolic social, political, and familial allegiances that transformed a street-side stroll into a visually engaging experience. Today, many of these faces are lost, and our understanding of what they comprised is frighteningly incomplete. This book offers a refreshed look at this often-forgotten facet of Renaissance visual culture to reignite interest in the tradition before its last remnants disappear. In addition to offering a new compilation of these documented façades, this book also places new emphasis on the making and meaning of these “painted faces” to provide new insights into the place of the decorated façade at the intersections of patron identity and painterly innovation in a city working tirelessly to reinvent itself.
an updated account of a vanishing visual tradition a new perspective on the artists who created these frescoed facades the opportunity to frame new modes of inquiry into this visual tradition both as it manifested in Rome and beyond This book examines Roman façades decorated with fresco and sgraffito between the fifteenth and sixteenth centuries that once enveloped the central rioni of Rome within a web of symbolic social, political, and familial allegiances that transformed a street-side stroll into a visually engaging experience. Today, many of these faces are lost, and our understanding of what they comprised is frighteningly incomplete. This book offers a refreshed look at this often-forgotten facet of Renaissance visual culture to reignite interest in the tradition before its last remnants disappear. In addition to offering a new compilation of these documented façades, this book also places new emphasis on the making and meaning of these painted faces to provide new insights into the place of the decorated façade at the intersections of patron identity and painterly innovation in a city working tirelessly to reinvent itself.
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