The Gallows Songs
Book Details
Format
Paperback / Softback
ISBN-10
1681379457
ISBN-13
9781681379456
Publisher
New York Review Books
Imprint
NYRB Poets
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 29th, 2025
Print length
240 Pages
Weight
369 grams
Product Classification:
PoetryPoetry anthologies (various poets)
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A collection of dazzling, playful, and linguistically inventive poetry by one of Germany''s finest writers, in a classic translation that honors the author''s amazing verbal acrobatics.
Christian Morgensterns The Gallows Songs are some of the most delightful and imaginative creations of twentieth-century German poetry. Composed originally after an outing Morgenstern took with his friends to Gallows Hill near Potsdam, these lively, puckish poems envision Gallows Hill as a fantastical world populated with fabulous animals, bizarre mechanisms, and some truly unruly punctuation.
Morgenstern felt that people often used their familiar language unthinkingly, without ever pausing to marvel at the glorious arbitrariness of words. Through poems chock-full of irresistible wordplay and unabashedly exuberant rhymes, he invites us to meditatebut also to med-it-nine and med-i-tenon all the incidents and accidents of language that make the world of words so vibrant.
True to the spirit of Morgensterns linguistic mischief, Max Knights translation sparkles with uncommon wit as it reinvents in English Morgensterns daring verbal acrobatics, and is itself a feat of poetic genius.
Christian Morgensterns The Gallows Songs are some of the most delightful and imaginative creations of twentieth-century German poetry. Composed originally after an outing Morgenstern took with his friends to Gallows Hill near Potsdam, these lively, puckish poems envision Gallows Hill as a fantastical world populated with fabulous animals, bizarre mechanisms, and some truly unruly punctuation.
Morgenstern felt that people often used their familiar language unthinkingly, without ever pausing to marvel at the glorious arbitrariness of words. Through poems chock-full of irresistible wordplay and unabashedly exuberant rhymes, he invites us to meditatebut also to med-it-nine and med-i-tenon all the incidents and accidents of language that make the world of words so vibrant.
True to the spirit of Morgensterns linguistic mischief, Max Knights translation sparkles with uncommon wit as it reinvents in English Morgensterns daring verbal acrobatics, and is itself a feat of poetic genius.
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