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The Generation of Plays
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The Generation of Plays : Yoruba Popular Life in Theater

Book Details

Format Paperback / Softback
ISBN-10 0253216176
ISBN-13 9780253216175
Publisher Indiana University Press
Imprint Indiana University Press
Country of Manufacture US
Country of Publication GB
Publication Date Mar 21st, 2003
Print length 504 Pages
Weight 628 grams
Dimensions 22.60 x 14.60 x 3.10 cms
Ksh 4,850.00
Werezi Extended Catalogue 0 in stock

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From the 1940s to the 1980s, Yoruba popular theatre was one of the most spectacularly successful theatres in Africa. This title recounts the history of the Odin Adejo Theatre Company. It uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular dram is brought to the stage.

NEW CATALOG COPY (announcing paperback edition):
In The Generation of Plays, Karin Barber recounts the history of the Odin Adéjobi Theater Company and uncovers the pulse points of generation, production, and improvisation that merge when a Yorùbá popular drama is brought to the stage. This rich and detailed book opens a window into the social and cultural worlds of actors and audiences.
ORIGINAL CATALOG COPY:
"Karin Barber has given us a vivid picture of one of the most vital forms of modern African popular art. It is beautifully written and informed by a deep affection for the subject . . . . a major contribution to the cultural history of Nigeria." —J. D. Y. Peel
From the 1940s to the 1980s, Yoruba popular theater was one of the most spectacularly successful theaters in Africa. Today, these traveling companies have virtually disappeared, largely as a result of economic hardship and the rise of video entertainment. In The Generation of Plays, Karin Barber recounts the history of the Oyin Adejobi Theatre company. Drawing on archival sources as well as extensive interviews and transcriptions of plays, Barber uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular drama is brought to the stage. Barber reveals the personalities of the principal actors, how plays are created—from the germ of an idea through the logistics of rehearsal and staging—how a play is made meaningful to its audience, and how a play changes and develops after several productions or according to the sensibilities of its viewers. The expansion of popular drama into television is also considered. This rich and detailed narrative illuminates notions of gender, language, politics, and self as they are expressed in popular cultural forms. It affords a unique view of the social and cultural perspectives of the actors and audiences involved in what was a flourishing and vital enterprise.


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