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The Grammar of Politics and Performance
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The Grammar of Politics and Performance

Book Details

Format Paperback / Softback
Book Series Interventions
ISBN-10 1138684066
ISBN-13 9781138684065
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 1st, 2016
Print length 272 Pages
Weight 418 grams
Dimensions 20.30 x 23.50 x 1.90 cms
Ksh 8,800.00
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This volume brings together important work at the interstection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines such as psychology (Freud’s primal ‘scene’), sociology (Goffman’s ‘backstage’), and politics (politicians ‘play’ to the public, stage debates), this metaphorical attribution has seldom been taken seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other realms.

This volume brings together important work at the intersection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines, these are seldom deployed seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other disciplines.

This book investigates the structural similarities and features of politics and performance, which are referred to here as ‘grammar’, a concept which also emphasizes the common communicational base or language of these fields. In each of the chapters included in this collection, key processes of both politics and performance are identified and analyzed, demonstrating the critical and indivisible links between the fields. The book also underlines that neither politics nor performance can take place without actors who perform and spectators who receive, evaluate and react to these actions. At the heart of the project is the ambition to bring about a paradigm change, such that politics cannot be analyzed seriously without a sophisticated understanding of its performance. All the chapters here display a concrete set of events, practices, and contexts within which politics and performance are inseparable elements.

This work will be of great interest to students and scholars in both International Relations and Performance Studies.


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