The Great European Stage Directors Volume 8 : Bausch, Castellucci, Fabre
Book Details
Format
Paperback / Softback
Book Series
Great Stage Directors
ISBN-10
1350445843
ISBN-13
9781350445840
Publisher
Bloomsbury Publishing PLC
Imprint
Methuen Drama
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 18th, 2024
Print length
264 Pages
Weight
412 grams
Dimensions
15.70 x 23.40 x 1.60 cms
Product Classification:
Theatre direction & productionDanceSocial & cultural history
Ksh 4,900.00
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This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists’ poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors’ work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists’ poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors’ work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
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