The Great White Bard : How to Love Shakespeare While Talking About Race
Book Details
Format
Paperback / Softback
ISBN-10
0593489373
ISBN-13
9780593489376
Publisher
Not Stated
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 1st, 1900
Weight
536 grams
Dimensions
23.50 x 16.10 x 3.20 cms
Ksh 4,450.00
Werezi Extended Catalogue
0 in stock
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Secure
Quality
Fast
CHOSEN AS ONE OF THE BEST BOOKS OF THE YEAR: TIME, NPR, The New Yorker, Kirkus Reviews, Publishers Weekly
As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant?
Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.
Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant?
Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.
Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
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