The Hothouse

On the anniversary of Wolfgang Koeppen’s 120th year, the two-remaining works in his postwar trilogy in Michael Hofmann’s spectacular translation

The Hothouse traces the tragic final two days in the life of a minor German politician, Keetenheuve, a man disillusioned by the corruption of his country after the Second World War. Following his self-imposed exile during the war, Keetenheuve returns to the hothouse: the city of Bonn, the capital of that new postwar capitalist nation, West Germany. Until this point he has led a life guided by principle and political optimism. Here, in spellbinding internal monologue and jarring montage, he meets his end. The Hothouse is an existential masterpiece and a portrait of a moral man crushed by an immoral world. Bitterly controversial at home, a cult writer abroad, Koeppen (1906–1996) brought a volcanic modernist style to German literature that remains unparalleled to this day. His uniquely radical voice and breathtaking prose is rendered magnificently by Michael Hofmann.